"likely to offer a profound impact on the very nature of listening." — Stephen Smoliar, The Rehearsal Studio

"cloudy, mysterious, and dark ... Beckettian in its slow spread"
— Brian Olewnick, Just Outside

"a multifaceted texture that evokes the primeval"
— Meg Wilhoite, Meg's New Music Blog

"a look, perhaps, into a different dimension … the music sounds like some-thing incomprehensibly massive is passing by, slowly." — George Grella, The New York Classical Review