"likely to offer a profound impact on the very nature of listening."
— Stephen Smoliar, The Rehearsal Studio
"cloudy, mysterious, and dark ... Beckettian in its slow spread"
— Brian Olewnick, Just Outside
"a multifaceted texture that evokes the primeval"
— Meg Wilhoite, Meg's New Music Blog
"a look, perhaps, into a different dimension … the music sounds like something incomprehensibly massive is passing by, slowly."
— George Grella, The New York Classical Review