"likely to offer a profound impact on the very nature of listening."

— Stephen Smoliar, The Rehearsal Studio

"cloudy, mysterious, and dark ... Beckettian in its slow spread"

— Brian Olewnick, Just Outside

"a multifaceted texture that evokes the primeval"

— Meg Wilhoite, Meg's New Music Blog

"a look, perhaps, into a different dimension … the music sounds like something incomprehensibly massive is passing by, slowly."

— George Grella, The New York Classical Review

SURROUNDSCAPES: The Future of Music

listen here for Ben's podcast interview with Graeme Harrison